In the middle of a small dance floor, Julian Vogel, like a one-man band, runs, turns and glides among everyday objects. He questions the fragility of the elements and plays with his favorite material: ceramics. With great humor, he defies the laws of weightlessness and revisits the codes of the traditional circus: drum roll, Chinese plate act, disjointed bicycle.
Playing with risk and falling, in a joyful tension with the spectator, here the clash of ceramics is masterful, reminding us that time passes, that our trajectories are uncertain, and that the attempt is as important as the result.
